coral empire underwater oceans colonial tropics visual modernity

I served as the editor of a newsletter/magazine for families, making history accessible for all ages. My experience goes beyond the academic world, too. I always honor and maintain the author's voice. I came to copyediting and proofreading from academia, so I understand the intense connection between the author and the writing. My philosophy is that the most important aspect of any project is my relationship with the author. In addition to English, if your project contains German language words, I could be of assistance in editing. I have undergrad degrees in anthropology, German studies, and studio art. I transferred to Brown University to complete my studies. I began grad school at the University of Cambridge. Before my current position, I was the managing editor of a scholarly journal on maritime history.

I have worked with over 300 scholars from around the world to ensure that their manuscripts are typo-free, thought-provoking works. I am able to devote all of my time to Reedsy projects. At present, I am working full-time as a freelancer. I'm heartbroken to say that she recently passed away. I had to leave my position to care for my ailing mother.

As Elias demonstrates, their reckless treatment of the sea prefigured attitudes that caused the environmental crises that the oceans and reefs now face.I worked for the past seven years as a project editor at a distinguished academic press.

Using the labor and knowledge of indigenous peoples while exoticizing and racializing them as inferior Others, Williamson and Hurley sustained colonial fantasies about people of color and the environment as endless resources to be plundered. In Coral Empire Ann Elias traces the visual and social history of Williamson and Hurley and how their modern media spectacles yoked the tropics and coral reefs to colonialism, racism, and the human domination of nature. In the 1920s John Ernest Williamson in the Bahamas and Frank Hurley in Australia produced mass-circulated and often highly staged photographs and films that cast corals as industrious, colonizing creatures, and the undersea as a virgin, unexplored, and fantastical territory. From vividly colored underwater photographs of Australia's Great Barrier Reef to life-size dioramas re-creating coral reefs and the bounty of life they sustained, the work of early twentieth-century explorers and photographers fed the public's fascination with reefs.

Coral empire underwater oceans colonial tropics visual modernity